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Not electric, but I love these How It's Made programs and was very glad
to find them on YouTube (I was filling up my DVR). Lots and lots of
musical instrument topics.
http://www.youtube.com/watch?v=J_gI3chGtww
http://www.youtube.com/watch?v=X-A7K4TPT2k
As to electric cellos, they've been around for decades though I've never
seen one that broke with classical form to the extent of doing away with
the spike and, really, the entire portion below the fingerboard. The
one's I've seen have the bouts of the soundbox stripped away, or at most
stylistically represented by a hollow curve of material that can be
braced like one would a normal bout. Still, always with a floor
spike. That's a clever innovation, though I wonder how it changes the
intonation. The string tension would be vastly different.
These below are the type I've seen, along with another that has a
soundbox that resembles that of those "backpacker's" guitars you
sometimes see.
http://www.yamaha.com/yamahavgn/CDA/ContentDetail/ModelSeriesDetail/0,,CNTID%25253D23446%252526CTID%25253D232400,00.html
http://www.yamaha.com/yamahavgn/CDA/ContentDetail/ModelSeriesDetail/0,,CNTID%25253D2272%252526CTID%25253D232400,00.html
http://www.yamaha.com/yamahavgn/CDA/ContentDetail/ModelSeriesDetail/0,,CNTID%25253D64947%252526CTID%25253D232400,00.html
http://www.yamaha.com/yamahavgn/CDA/ContentDetail/ModelSeriesDetail/0,,CNTID%25253D2269%252526CTID%25253D232400,00.html
http://en.wikipedia.org/wiki/Electric_cello#Makers
Mike Miller wrote:
On Sun, 6 Apr 2008, Jonathan King wrote:
So I have to admit I had never heard of the electric cello before
this, or at least the kind of electric cello seen here:
http://www.youtube.com/watch?v=FlGBMAgDGUU
That's an interesting design. I hadn't seen one before.
That said, this makes a lot of sense. To be brutally honest about it,
most classically trained players would be way up on the skills
distribution for rock, and cello in particular should be attractive
given its register, fretlessness, and bowed nature.
Well, I don't think that classical musicians have quite the kind of
training that makes for good rock players because in rock there is a
lot of improvisation and a very different feel. The classical players
will be thinking a lot about tone and dynamics -- things that hardly
apply when overdriving the amp and using compression. I think most
serious classical cellists would hate playing that thing. Back in the
hair-metal days of the '80s there were tons of guys playing classical
violin pieces on cranked-up rock guitars -- pieces by Bach or Paganini
-- and that style would be perfect for a classical cellist to get into
rock playing using that weird neck-only electric cello.
That said, this guy seems to be playing what I guess I would call a
"modeling cello" that is triggering samples or something as he bows it.
I'm not sure how it is being processed, but I don't think it is
triggering samples. It sounds more to me like overdriven electric cello.
Any comments from the more musically savvy? This guy isn't bad, but
there are literally thousands of cellists out there who could
probably toast him if they wanted to.
I think he isn't that strong technically because sometimes his pitch
is wrong and he gets some nasty squeaks that he probably didn't want.
Given that and the fact that he probably tried a bunch of times to get
it perfect, he's probably not a superstar cellist. I'll bet he can
attract some attention with that thing though.
Apparently his name is Sachino Tsinadze, he's from the former USSR
state of Georgia, he now lives in Philadelphia and performs with this
guy:
http://www.myspace.com/jondelise
And with these guys:
http://www.thehelots.com/
Judging from the sounds of these bands, he meets a lot of girls.
Mike
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