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On Sat, 1 Sep 2007, Mark Rages wrote:
It's easy to hear the difference at 128kbps mp3. Try a single
instrument like solo piano or acoustic guitar.
How about a cymbal? I think that is even easier. They say that the kind
of sound where you hear it most is in random noise, and that applause
gives a good example of that kind of randomness.
To address the original question, the bitrate of the optical out is
uncompressed digital data. As an example, an mp3 ripped from CD will
uncompress to 44.1kHz * 16 bits * stereo = 1411200 bits per second.
I'm a little confused about the difference between kHz and kbps in this
context. I guess "stereo" in your equation equals 2. Where does the 16
come from? Why doesn't the bit rate figure into this?
When looking for info about cards, I was seeing things such as this...
http://www0.epinions.com/Sound_Cards--reviews--1_x_optical_digital_output
...that imply that some cards max out at 192 kHz (or less), but I'm not
sure of the implication of that number.
The important question is, does your computer or receiver have a better
DAC? Analog technology like DACs are one area where the best technology
is an order of magnitude more expensive. Just don't walk into the
golden-ear audiophile store and tell them you're buying an $800 DAC to
listen to MP3's!
I think I'm getting the idea here. So a DAC is a digital-to-analog
converter and if the computer (or is it the sound card?) is good at
conversion, I can do the conversion there, and use the usual auxiliary
analog inputs on the amplifier. But if the amplifier has the better DAC,
the conversion can be done there. This does make me a little clearer on
what the issue is. I'll always need to do digital-to-analog conversion to
go from MP3 to speaker -- it's just a question of where that step occurs
and what kind of data is being transmitted between the different
processing points along the way: HDD, CPU, sound card, amplifier, speaker.
Apparently, the DAC is usually in the sound card.
By the way, audio-store salesmen know that the name of the game is to
manipulate the customer by pretending that a really good audiophile can
detect all sorts of things that no human can actually hear, and get the
customer to buy a bunch of things that he really can't use. Would they
sell me an $800 DAC that I didn't need? Yes!
Mike
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