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On Sun, 23 Jul 2006, Nathan Odle wrote:
Mike Miller wrote:
It looks like some Chinese girls are learning to play rock guitar:
http://video.google.com/videoplay?docid=3671728188155490115&q=guitar
For some reason, American girls aren't learning to do that, at least not
that well. Why not?
I don't know about the others who might have watched this, but color me
unimpressed. Why? Because that is the most soulless exhibition of
guitar playing, especially electric guitar, that I've ever seen. I am
hardly surprised though, considering the other children I've seen play
instruments that were trained in Chinese music academies. Something
about the Chinese culture must breed musicians that exceed technically
while missing out on a lot of what music is about.
Fine, but the thing I was bringing up there was that a female rock
guitarist *can* have much stronger technical ability than we almost ever
see in female guitarists. Why do female rock guitarists almost always
stick to rhythm guitar and not play lead? There have been a few, and
Bonnie Raitt is a great example of a female lead player (albeit
bottleneck). But where are the female shredders?
You may be right about Chinese musicians, but I think the Chinese attitude
is more pervasive and not just in music. They are relatively less
emotional, more reserved and less fun-loving than are peoples of many
other cultures. Some would say "the Chinese are boring." I don't feel
that I know enough to make such a blanket statement but I have the
impression that there is something to the idea. Similarly, at the
opposite end of the spectrum, black Americans are not likely to be called
"boring people," as a group, but neither are they likely to be described
as very reserved and detail-oriented. It might be all culture or partly
genetically-influenced. No one knows. But my point is that you might be
seeing something in the music that is also present outside of music in
other areas of expression among the Chinese.
Ironically, I saw more feeling in the classical guitar performance you
linked. Still no Segovia though.
Why is that ironic? Could Segovia play that? He had a great sound but I
never heard anything from him that was as technically demanding (fast,
anyway) as that piece (but that doesn't mean he never did it). She is a
great guitarist and she won the 2nd International Guitar Competition in
Hong Kong in August 1998.
By the way, I guess I found a PDF of a guitar arrangement of Caprice #24:
http://www.delcamp.net/pdf/3_classique/paganini_caprice24.pdf
But it doesn't have fingerings, so it isn't really complete.
Mike
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